Amaya had this crazy notion of working with something like 1,642,334,563,434,278 photographers in 48 hours during her roadtrip. I was the absolute last on the list. She was dead tired by the time she got to me, but I’m still pretty pleased with how the pics turned out.
Amaya had this crazy notion of working with something like 1,642,334,563,434,278 photographers in 48 hours during her roadtrip. I was the absolute last on the list. She was dead tired by the time she got to me, but I’m still pretty pleased with how the pics turned out.
Amaya had this crazy notion of working with something like 1,642,334,563,434,278 photographers in 48 hours during her roadtrip. I was the absolute last on the list. She was dead tired by the time she got to me, but I’m still pretty pleased with how the pics turned out.
Yes, its the 300 effect processing again. I’m becoming as fond of it as I am of chiaroscuro backdrops. Maybe it’s a phase that I’ll grow out of.
Amaya had this crazy notion of working with something like 1,642,334,563,434,278 photographers in 48 hours during her roadtrip. I was the absolute last on the list. She was dead tired by the time she got to me, but I’m still pretty pleased with how the pics turned out.
It’s been a while since I had someone sit for me to shoot who had never modeled for anyone ever before, so in a lot of ways I looked forward to shooting Stu more than anyone else. I was amazed at how comfortable she was with the whole concept.
It’s been a while since I had someone sit for me to shoot who had never modeled for anyone ever before, so in a lot of ways I looked forward to shooting Stu more than anyone else. I was amazed at how comfortable she was with the whole concept.
It’s been a while since I had someone sit for me to shoot who had never modeled for anyone ever before, so in a lot of ways I looked forward to shooting Stu more than anyone else. I was amazed at how comfortable she was with the whole concept.
It’s been a while since I had someone sit for me to shoot who had never modeled for anyone ever before, so in a lot of ways I looked forward to shooting Stu more than anyone else. I was amazed at how comfortable she was with the whole concept.
Liz came over to do her shoot for the Maverick Tarot set, where she is my Page of Swords. Never wanting to waste the opportunity at a good photoshoot with someone so babeliscious, we took a bunch of other shots as well.
Did the KGB have an equivalent of the USO? I really think this has the appeal of an old fashioned pinup shot… you know… accept the whole communist thing.
Liz came over to do her shoot for the Maverick Tarot set, where she is my Page of Swords. Never wanting to waste the opportunity at a good photoshoot with someone so babeliscious, we took a bunch of other shots as well.
This is a simple high key effect. I really like how well she blends into a white background. Obviously I do this trick with myself on black backgrounds a lot. But i like the alternate effect too.
Liz came over to do her shoot for the Maverick Tarot set, where she is my Page of Swords. Never wanting to waste the opportunity at a good photoshoot with someone so babeliscious, we took a bunch of other shots as well.
You know, I’m not sure its humanly possible to have a waist as tiny as hers.
Liz came over to do her shoot for the Maverick Tarot set, where she is my Page of Swords. Never wanting to waste the opportunity at a good photoshoot with someone so babeliscious, we took a bunch of other shots as well.
This was more of an outtake than anything else. I tend to talk and joke around with my models while I’m shooting. And sometimes I’ll snap a shot when they’re not really posing. Here’s Liz laughing and adjusting her shirt sleeve between poses.
Liz came over to do her shoot for the Maverick Tarot set, where she is my Page of Swords. Never wanting to waste the opportunity at a good photoshoot with someone so babeliscious, we took a bunch of other shots as well.
When we were doing her shoot, I took this half body shot and immediately said to her "you know, you’d make good desktop wallpaper." So I pulled this together and you know, I think I’m right.
Liz came over to do her shoot for the Maverick Tarot set, where she is my Page of Swords. Never wanting to waste the opportunity at a good photoshoot with someone so babeliscious, we took a bunch of other shots as well.
This was a close second pick for the page card. Ultimately, I decided that the one I picked was much more rebellious and and bold and therefore used it for the Page, but I liked this shot so much that I wanted to do something with it. So I processed it with what I am calling my "300 effect." I like how it turned out a lot.
I met Brae through Model Mayhem which I joined when I decided to do the whole Tarot Card project thing. When she first wrote me I knew she had the pefect look to be my Death card.